Private associative evening reserved for members of the association. Information at 06 64 24 46 48.

Didier Verdeille studied lyrical art at the Conservatory of Perpignan with Lyne Cumia. But it was Liliane Lanson, then director of the Municipal Theatre of Perpignan, who led him to continue his studies at the "Else Mayer Lismann Opera Work Shop" at Covent Garden in London, where he studied singing with Gustav Sacher. Back in France, he obtained a first prize in lyrical art at the C.N.R. of Rueil-Malmaison. His interest in vocal technique led him to teach it for the singing test of the internal agrégation at the U.E.R. of musicology at the University of Paris-IV-La-Sorbonne, then at the Conservatorio Pernambucano of Recife in Brazil. Besides the musical shows he wrote and staged (sometimes with the amateur choirs he directed, but also, for example, with the professionals he had chosen for his creation "Trois degrés sud", a cantata for the inauguration of the Millau viaduct), he performed in oratorio as well as in various roles of the repertoire. But it is the recital that retains his preference for his taste for the Lied, and for the Catalan melody.

Clarisse Varilh, an accomplished musician well known to the Illibéris Jazz Club where she performed on piano, is a professor at the Regional Conservatory of Perpignan. She was trained at the CRR of Perpignan by Claude-Philippe Durand. She obtained a prize there, with highest honors. She holds three state diplomas obtained in Burgundy and Toulouse. Her taste for repertoires ranging from classical to jazz led her to perform as a soloist, but also with various ensembles.

These two musicians meet around their same eclectic tastes. They then decide to put together a varied, cabaret-style program that they are delighted to present together at the Illibéris Jazz Club, ranging from French song (Piaf, Vian) to jazz standards (Cole Porter, Michel Legrand), with a few incursions into the classical domain (Schumann, Weill), or Catalan song (Giné, Montsalvatge).

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